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Stagecoach Transformed into a Blast from the Past: Post Malone Channels ’90s/’00s Vibes, Miranda Lambert Dazzles Alongside Reba on Night 2

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Stagecoach Transformed into a Blast from the Past: Post Malone Channels '90s/'00s Vibes, Miranda Lambert Dazzles Alongside Reba on Night 2

“Stagecoach Willie Nelson’s Timeless Hits and Charley Crockett’s Authentic Creations Bridge Country’s Rich Legacy with Its Modern Evolution”

Reba Shines Bright:

Post Malone’s Versatility:

Summary of all the show

Artist/EventSummary
Reba McEntire’s PerformanceReba’s absence didn’t dampen the excitement at Stagecoach, as she took the stage and stole the show with Miranda Lambert.
Post Malone’s SetPost Malone showcased his versatility with a country covers set, resonating with the audience despite his expletives between songs.
Miranda Lambert’s PerformanceLambert captivated the audience with her performance, proving her prowess as a country artist and solidifying her claim as one of country music’s top entertainers.
Duet Performance with RebaLambert and Reba’s dynamic duets created a buzz and made waves at Stagecoach, despite not causing the internet to break like a surprise cameo would have.
Willie Nelson’s SetNelson’s set remained a family affair, blending reverence with irreverence and showcasing classic country hits.
Beyoncé SpeculationSpeculation arose regarding a possible Beyoncé appearance, fueled by recent collaborations and her previous surprise appearances at similar events.
Tanner Adell’s PerformanceTanner Adell showcased breakout potential with her early-afternoon set, establishing herself as a featured artist from “Cowboy Carter.”
Leon Bridges’ Palomino HeadlinerLeon Bridges, a departure from the genre, felt like a natural fit as the day’s Palomino headliner, bringing his unique style to the Stagecoach audience.
Sunday’s LineupSunday’s lineup includes performances from artists featured on the “Cowboy Carter” album, as well as exciting acts like the War and Treaty, Megan Moroney, and Clint Black.
After-Hours Closing SetFestival attendees can enjoy an after-hours closing set from Wiz Khalifa, ensuring the festivities continue into the night.

Beyoncé’s absence didn’t dampen the excitement at Stagecoach, as Reba took the stage and stole the show for the 70,000 fans in Indio and countless more tuning in from home. Miranda Lambert and Reba’s dynamic duets created a buzz, making it a standout moment of the festival. While they may not have caused the internet to break like a surprise cameo would have, their performance definitely made waves at Stagecoach.

Post Malone proved his star power at Stagecoach without relying on his collaborations with other big-name artists. His country covers set on Saturday’s main stage, as advertised, showcased his versatility. While he didn’t make headlines with his performance, his selection of ’90s/’00s hits and nods to his youth resonated with the audience. Even without surprise appearances from Dwight Yoakam, Brad Paisley, and Sara Evans, Post Malone’s performance was captivating and well-received by the crowd.

Brad Paisley, addressing the crowd of 75,000, inquired about Post Malone’s performance, stating, “How’s he doing? I think he’s made for this.”

Brad Paisley’s Remarks:

Post Malone’s Set Highlights:

Post Malone’s Traditionalist Image:

Sara Evans Shines with “Suds in the Bucket”:

Brad Paisley’s Standout Contributions:

Miranda Lambert’s Captivating Performance:

“Drunk (and I Don’t Wanna Go Home)” Duet:

Post Malone kicked off his set at Stagecoach with Tyler Childers’ “Purgatory,” a song that might have seemed like a throwback to the ’70s outlaw-country era for some fans unfamiliar with Childers’ work. However, the rest of Malone’s performance featured familiar tunes for anyone with a basic knowledge of mainstream country from the turn of the century.

From George Strait’s “Check Yes or No” to Tim McGraw’s “Don’t Take the Girl,” Malone covered a range of country hits, including both sentimental and humorous songs. He also paid tribute to country legends like Vince Gill and Randy Travis, making his set a diverse and engaging experience for the audience.

Post Malone’s set at Stagecoach showcased his deep appreciation for country music, almost making him seem like a true traditionalist. However, his frequent use of expletives between songs detracted from that image. Despite this, he delivered a memorable performance with guest appearances, starting with Dwight Yoakam, who joined him during “Little Ways.” Malone’s familiarity with Yoakam’s work was evident earlier in the set, as he danced along to the music.

During the performance, Sara Evans took the spotlight with the classic “Suds in the Bucket” as the lead vocalist. It seemed that Malone chose not to narrate a young woman’s story. For those unfamiliar with the song, “Suds” can be seen as a predecessor to Taylor Swift’s “But Daddy I Love Him.”

Brad Paisley took center stage for much of the performance, joining Malone for a duet of “I’m Gonna Miss Her,” and lending his guitar skills to “One More Last Chance” as a stand-in for Vince Gill. Paisley returned for a lively rendition of “Chattahoochie,” accompanied by Jelly Roll. The set went beyond its scheduled ending as Malone interacted with fans, leaving Paisley and the band to extend the outro with some improvised playing.

Despite the high energy of Post Malone’s set and Reba’s absence, Miranda Lambert effortlessly captivated the audience with her own performance. She proved her prowess as a country artist, showcasing a catalog of hits that rival any in the genre. With a mix of rich, recognizable songs and high-concept bangers, Lambert’s set was a testament to her talent and longevity in the industry.

Backed by a band delivering rock ‘n’ roll fervor, her performance was enhanced by steel guitar licks woven throughout. Lambert’s consistent excellence over the past two decades solidifies her claim as one of country music’s top entertainers.

The duet performance of “Drunk (and I Don’t Wanna Go Home)” featured Lambert’s backup singer rather than Elle King, who had performed on the main stage the previous night. King had adapted her material to suit the rock band she was touring with, delivering a less familiar but still impressive rendition of their hit. Despite the absence of King, Lambert’s rendition of “Drunk” felt like a fitting climax to her set, particularly with the addition of fireworks for a finale-like atmosphere.

Dynamic Finale with Lambert and McEntire:

Miranda Lambert invited “a sexy redhead from Oklahoma” to join her on stage, hinting at Reba McEntire. Despite the windy conditions, McEntire joined Lambert for an electrifying finale. They delivered a powerful performance of “Fancy,” sandwiched between duet versions of “Mama’s Broken Heart” and “Gunpowder & Lead,” before a second round of fireworks capped off the show. The synergy between Lambert and McEntire raised the question of a potential co-headlining tour, with moments like this as the climax.

Family Affair at Willie Nelson’s Set:
Willie Nelson’s set at Stagecoach remained a family affair, as indicated by the “Willie Nelson and Family” banner. Speculation arose regarding a possible guest appearance by Beyoncé, fueled by Nelson’s recent collaboration with “Cowboy Carter” and Beyoncé’s previous surprise appearances. However, the speculation proved unfounded, as Beyoncé was rumored to be at Stagecoach undercover for observation, similar to her alleged presence at Coachella earlier in the month.

Viewers tuning into Willie Nelson’s set on the festival’s Prime Video/Twitch livestream hoping for a Beyoncé appearance were treated to a showcase of classic country hits spanning the last half-century. Nelson delivered a compact yet impactful performance, squeezing in 18 songs in just 45 minutes.

While affirming the presence of living country superstars with extensive catalogs, Nelson’s set was a testament to his enduring legacy. Highlights included timeless favorites like “Whiskey River” and the poignant “Angel Flying Too Close to the Ground.” However, perhaps the most memorable moment was when Willie and Lukas Nelson shared sublime family harmonies on Pearl Jam’s “Just Breathe.”

Willie Nelson’s set at Stagecoach showcased his ability to seamlessly blend reverence with irreverence, reflecting his iconic style. The expected gospel finale of “Will the Circle Be Unbroken” and “I’ll Fly Away” was sandwiched between two lighthearted songs that poke fun at life, “Roll Me Up and Smoke Me When I Die” and “It’s Hard to Be Humble.” Additionally, Nelson revisited lesser-known gems from his early catalog, such as “I Never Cared for You,” adding depth to his performance.

Miranda Lambert stole the spotlight in the day’s best-dressed competition with her stunning turquoise-accented Western-wear, complete with a hat that seemed to defy the strong wind gusts. Despite Post Malone and Nelson opting for a more casual look, Lambert’s outfit stood out. She faced some competition from the stylish Charley Crockett, who also made a statement with his attire. Crockett’s performance in the Palomino tent showcased original songs from his latest album ” $10 Cowboy,” which harken back to country’s golden era, much like Nelson’s timeless tunes.

Stagecoach’s Wednesday lineup was filled with highlights, starting with Tanner Adell’s early-afternoon set, where she showcased her breakout potential as one of the featured artists on “Cowboy Carter.” Maddie & Tae also impressed with their set, following the attention they received from Jelly Roll on Friday night. Asleep at the Wheel brought their timeless swing music to the tent, led by Ray Benson’s 50-plus years of experience. Leon Bridges, although a departure from the genre, felt like a natural fit as the day’s Palomino headliner.

The Palomino tent was packed to the brim during Luke Grimes’ mid-afternoon set, featuring material from his recent release, momentarily drawing attention away from Paramount+’s nearby “Yellowstone” installation. EDM artist Diplo’s after-hours set kept festivalgoers dancing into the night after Miranda Lambert’s performance.

While anything’s possible, it’s highly unlikely that Beyoncé will make an appearance during Morgan Wallen’s headlining set on Sunday. However, there’s still plenty to look forward to, including performances from three artists featured on the “Cowboy Carter” album: Shaboozey, Willie Jones, and Brittney Spencer. Sunday’s lineup also boasts exciting acts like the War and Treaty, Megan Moroney, Clint Black, Bailey Zimmerman, Pam Tillis, and Ashley Cooke. Additionally, festival attendees can enjoy a performance by the Beach Boys and an after-hours closing set from Wiz Khalifa.

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